Experiments in Cinema: An 8-Week Series of Narrative and Experimental Films (Spring 2023)
On Film Presents:
Experiments in Cinema: An 8-Week Series of Narrative and Experimental Films
programmed by Jacob Carter, George Elkind, Taryn Ely, Danielle Genevro, and Elif Karakaya
Wednesdays, February 15-April 12 @ 7:00pm
Dewey 101-1
University of Rochester
On Film is pleased to present an 8-week series of narrative and experimental films, selected from the Film and Media Studies 16mm film archive. The 25 titles in this series are from around the world and draw from a variety of cinemas, including Hollywood, avant-garde, and animation.
experiments in cinema
Jabberwocky (Jan Švankmajer, Czechoslovakia, 1971)
Sunrise: A Song of Two Humans (F.W. Murnau, USA, 1927)
Parataxis (Skip Battaglia, USA, 1980)
Muriel or the Time of Return (Alain Renais, France, 1963)
Ghosts Before Breakfast (Hans Richter, Germany, 1927)
Man with a Movie Camera (Dziga Vertov, USSR, 1928)
Return to Reason (Man Ray, France, 1923)
Rhythmus 21 (Hans Richter, Germany 1921)
Entr’acte (Rene Clair, France, 1924)
The Floorwalker (Charles Chaplin, USA, 1916)
Boccioni’s Bike (Skip Battaglia, USA, 1981)
Frank Film (Frank Mouris, USA, 1973)
Fuji (Robert Breer, USA, 1974)
Notes on a Triangle (René Jodin, Canada, 1966)
Bead Game (Ishu Patel, Canada, 1977)
Now is the Time (Norman McLaren, UK, 1951)
Urbanissimo (John and Faith Hubley, USA, 1967)
Bleu Shut (Robert Nelson, USA, 1970)
Wavelength (Michael Snow, Canada, 1967)
The Blood of a Poet (Jean Cocteau, France, 1932)
Zero de Conduite (Jean Vigo, France, 1933)
Un Chien Andalou (Luis Buñel, France, 1929)
Spellbound (Alfred Hitchcock, USA, 1945)
calendar designed by Danielle Genevro